Inspiring Image: Abstract Reality

“Japanese Lady With Fan”, George Henry (1858-1943)

Here’s a lovely painting that I’ve admired for years. What I most respond to in this piece is the wonderful marriage of abstract and realism. George Henry, a Scottish painter, masterfully designed a beautiful, rich canvas with varied colors and edges. For a relatively small painting, there is much to keep the viewer’s eye engaged, and the entire painting has a lovely decorative quality about it.

Quite magically, we begin to realize the head of a geisha has been placed right in the center of the image. Her head is turned away in a demure fashion that enhances the mystery and intrigue of her character. It is also a clever device to help the artist keep readily identifiable features of her face from taking away from the overall abstract quality.

From Behind The Easel: Dawning

“Dawning”, 24”x18”, oil on canvas

My daughter and I went for a hike around one of our favorite little lakes yesterday. As we enjoyed the cool, crisp morning air, I was delighted to find that my daughter had transformed into a fairy who happily toured me around her wooded home. She pointed out wonderful signs of spring growth and colorful changes to the lakeshore.

We saw a beaver dam and many freshly felled trees awaiting their place in the woven wall. She also spotted the young lily pads, tightly rolled below the surface of the water, about to emerge and unfurl before they blossom. My fairy guide said she can’t wait fly out and sit on the lily pads where she can talk to the frogs. Lucky her!

From Behind The Easel: Reverence

“Reverence", 24" x 36" oil on canvas

Sunsets on the Pacific Ocean are so magical because you really feel like you’re standing at the end of the world. This painting is from the high cliffs near Elk on the northern California coast. It’s at these moments when I am overwhelmed with the beauty of nature and need to grasp what I can through my painting.

From Behind The Easel: Buster

“Buster”, 9”x12” oil on canvas

This was a fun little painting I did from a trip we took to a farm in New Jersey. Near the end of the day, just before heading to the cars, I decided to poke my head into the stable that seemed unoccupied. To my surprise there was a horse inside with a nameplate over his stall that read “Buster”. I snapped a few reference photos and headed home.

When it came time to do this piece I was reminded of the fabulous light that John Singer Sargent employed in some of his Italian interior paintings. I decided to give Buster some of this Sargent-inspired lighting to brighten his day. 

From Behind The Easel: The Challenge

“The Challenge” (Detail), 24”x18” oil on canvas

Here’s a WIP of two red-winged blackbirds fighting for territory based on the wonderful photos of our dear friend, artist Ann Chaikin.

Please take a look at some of her work - her personal blog, her photography blog, her painting blog, her PBase, her Flickr, and her Facebook display her paintings and photography, and also serve as fountains of inspiration for any art-loving individual.

Inspiring Image: One Of My Dots

"Among The Teasels", Randal Dutra, 36" x 50", Oil on linen

I recently posted a quote by Steve Jobs where he advocated for connecting the dots of your life to help find your unique views.  Sometimes your dots can include the many dots of another person who is influential in your life.  I am fortunate to call artist Randal Dutra both mentor and friend.  Randal embodies the creative spirit and is fluent with any medium he feels will convey his vision.  Aside from his beautiful paintings and bronzes, Randal has amassed a 25 year career in film where he worked primarily in animation.  He is best known for his pioneering work on Jurassic Park and was nominated for an Academy Award for directing the animation on Steven Spielberg's War Of The Worlds.

Over the years, Randal has been generous with words of advice, critique, and inspiration.  I am the lucky recipient of his many years of experience across multiple genre and medium.  As we find our way along our journey, it important to remember that others walk before us and can be incredible resources.  When possible, look to those ahead of you for direction, inspiration, and how one can connect the dots.

See more of Randal's work at www.randaldutra.com

The Pensive Palette: Silhouettes

"Marsh Wren", 22"x14", oil on board

Visual clarity and simplicity are often forgotten by artists who are so excited about their subject matter that they include everything.  Good picture making begins with a solid idea expressed through strong composition.  To help me achieve my compositional goals and maintain a clear visual message, I will often use silhouettes to make sure the main elements read well.  Reducing shapes to basic silhouettes allows me to focus on shapes without the distraction of colour or detail.  I can also make sure the shape I'm working on is interesting and drawn well.

When testing with silhouettes I will usually work quite small (thumbnails under 2") so I'm not tempted to get fussy.  I want to make decisions based on readability and detail only makes this harder.  We all love detail and can easily fall in love with superficial aspects of a subject while forgetting the overall shape of what we're painting.  Another helpful tool is a digital camera or smartphone.  You can take a photo of a sketch or painting in the early stage.  Use a very small, black and white version of this photo to study the overall impact of the shapes and make sure what you want to say is being heard.

Inspiring Image: Find Your Dots

"Trickster", Randal Dutra, 30"x40", oil on linen

"You can't connect the dots looking forward; you can only connect them looking backwards."- Steve Jobs

Steve Jobs, love him or hate him, made a large impact on the way most of us conduct our daily business. While the myth of Jobs is sometimes blown out of proportion, he did have a honed ability to connect seemingly disparate views and elements to create a new, unique perspective.  He is sometimes described as genius because his innovations seem so obvious upon introduction, yet no one had thought of it before him.  Genius can make the complex unknown understood in beautifully simple terms.  Genius helps us find something we didn't know we were looking for.

Jobs was a big advocate of being open to many sources and then trying to "connect the dots" in his own way.  He had the faith to believe his experience(s) were leading to something new.  We can all develop this ability but it requires awareness and reflection.  As Jobs says, hindsight is what helps connect our experiences into something useful.  The process, however, begins with an openness to that which we do not yet know, and the faith that our individual experience has worth.  

Here's to your unique journey!

Inspiring Image: South African Police Station

 South African Police Station, 12" x 17", oil; 1891 Sir Frank Brangwyn (1867-1956)

I quite like this quiet, understated painting of a South African police station from 1891 by Sir Frank Brangwyn. The field in particular is handled beautifully without being overly detailed.

From Behind the Easel: Descending Shadows

“Descending Shadows”, 24”x18”” oil on board

As some of you may know, our family has recently decided to make some shifts in our perspective and attempt to follow our own path.  What that means is we sold our house, took the kids out of school, and started accepting what the world was offering us.  Our plan is loosely structured and we make our decisions together.  The kids are all homeschooling (or as I like to say “lifeschooling”) and we are finding truly wonderful learning experiences outside of the traditional model.  This is something we have contemplated for many years and have finally had the courage to attempt.  We feel blessed to be in a position to take hold of this opportunity.

Our most recent excursion was moving ourselves eastward for nearly three weeks to house/kitty-sit for dear friends who were away in Europe.  We had the fabulous chance to experience living in the Okanagan valley, affectionately known as Napa North for the many world-class wineries.  The valley is the northern tip of the Sonora Desert and is a richly bio-diverse environment.  We were treated to amazing views of clouds rolling into the valley below while mule deer and bighorn sheep grazed the property.  Needless to say the inspiration for painting was prevalent and I look forward to what will come from our stay there.

Here is a painting I did based on previous trips to the area.  You can see the beautiful rock outcrop as a backdrop to the understated beauty of the sagebrush, all backlit by the beautiful Okanagan light.  You can see another painting I did from the area in my post from May 17, 2014.

From Behind the Easel: Music To My Eyes

"Interlude", 16"x28", acrylic on board

Aside from nature, music is my biggest inspiration.  I am pretty sure I was a bass player in a previous life, and often dream of life as a musician.  In some ways, music is more important to me than art for the simple fact that music is always on in our home.  Even when art has to take a back seat to daily life, music is a constant.  Music lifts my spirit and helps me reach inside for creative energy. 

Although I can only imagine what it must feel like to create musical magic, I can use music and musical ideas for my own purposes.  My painting “Interlude” features a cougar drinking at a pool under moonlight.  An interlude in music is a short piece inserted between the longer parts of a composition.  It is a small rest from the larger themes and allows us to reflect upon what we are experiencing.  I have shown the cougar taking a short break from his nighttime activities.  We, in turn, are allowed to pause for a moment as we enjoy this intimate scene.

From Behind the Easel: Restful Rising

Restful Rising,   9”x12”, oil on board

We have safely returned from our family vacation to witness my youngest brother happily wedded.  After a wonderful week of travel and celebration it is now time to get back to our routines...  

To honor the beginning of my brother’s marriage and my return to blogging, I offer a small token of a painting.  “Restful Rising” depicts a pair of American Avocets greeting the sun as it crests the horizon to begin the new day.  Every event we encounter in our lives, monumental or miniscule, is an opportunity to renew our celebration of life.  

Inspiring Image: Story in Art

"The Blind Beggar" | Jules Bastien-Lepage (1848-1884)

I love an image that can tell an entire story.  The greatest paintings give enough visually to allow us go into our imaginations without providing everything.  We are free to interpret and create our own version of what we see.  Great art offers itself wholly yet remains mysterious, open to reinterpretation as we grow with it.  Great art offers a window into our own hearts.

What story do you see when you look upon this boy and his faithful companion? 

The Pensive Palette: I Am Robert Genn

As an artist, I feel a part of a greater community, a brother and sisterhood of creative people searching for beauty, truth, and meaning.  While I work by myself, I know I’m not alone in these pursuits.  When I see art that touches me, or a song that moves me, I feel connected to that artist because we have shared a part of the journey together.  I take a little part of that person’s spirit and place it within me, hoping to pass it along to someone else.  This is the greatest gift of art.

I recently wrote about the passing of artist Robert Genn.  His love of painting, and especially his exploration of the why’s and how’s of making art, live on in everything he touched.  A little piece of his spirit is carried by all of us.   

Here is a small study I did a few years ago in Genn’s style.  It is not a copy of one of his paintings, but an exercise in taking my own reference and trying to think like he did.  In making choices that are different from my own tendencies, I learn how to see outside of myself. 

From Behind The Easel: 'Another Time'

"Another Time" | Medieval Town North of Paris | 12" x 8" | oil on board

We had the good fortune to be invited to a lovely wedding in a chalet about an hour north of Paris.  On the way back, we meandered through this lovely town and I felt I wanted to capture the intimacy and charm.

Inspiring Image: Celebrating Artist Robert Genn

by Robert Genn (1936-2014)

On Tuesday May 27th, the art world lost a friend and inspiration.  Robert Genn was a Canadian painter best known for capturing the landscape of his homeland and many travels around the world.

His personal style was heavily influenced by the Group of Seven painters, as well as the iconic Emily Carr, whom he met when he was a boy growing up in Victoria, BC.  His career began in illustration but evolved into full time fine art pursuits when his passion could no longer be held in check.  He went on to enjoy a long and commercially successful career garnering international acclaim.

Despite his successes, Genn never lost sight of his love of painting.  The physical act and ritual of starting from a blank canvas fuelled his desire.  His passion for travel and painting outdoors only grew over time, and his art is beloved by many.

Perhaps his greatest gift was the free website he started many years ago to act as a meeting place for artists.  He brought like-minded people together, gathered art/inspirational quotes from around the world, and provided a semi-weekly newsletter about his ideas for making and selling art.

Robert Genn was an inspirational pillar in our artist community.  His generous spirit will be missed and never forgotten.  His legacy lives on as his daughter Sara Genn, a highly successful artist herself, continues the tradition of the weekly newsletter.

To see more of Robert Genn's work and check out his free resource website for creative minds, please go to www.robertgenn.com and click on the Painters Keys Community.

The Pensive Palette: The Value of Mirror Image

‘Stillness’ (Study) | 16”x20” | oil on canvas

We all have a natural bias when creating a composition.  Our brains feel more comfortable leaning one way or the other when looking at the visual weight of a design. 

Usually, we aren’t aware that this is happening and will only see it when someone else’s “fresh” eye point it out.  How can we catch it before this happens?  The easiest way is to look at the image in reverse. 

If you are working digitally, simply flip the image over and you will immediately notice if the piece is unbalanced.  If you are working on something physical, look at the image in a mirror.  I like to get at least 10-15 feet away from the painting and use a hand mirror over my shoulder.  If your studio is small, take the work outside.  You can also take a digital photo and reverse it horizontally. 

In time you can start to notice your tendencies and address them while working, but old habits die amazingly hard!